Tuesday, May 31, 2011
Rolling Stone's Jann Wenner on Print vs. Web
Monday, May 30, 2011
Decoration Day
Sunday, May 29, 2011
Inner Harbor's One-Year Anniversary, and the Blog's "Street Value"
Saturday, May 28, 2011
Bedbug Defense Gadget
Friday, May 27, 2011
Blackbeard's Anchor Raised
Thursday, May 26, 2011
Directory of Unwanted Calls
Wednesday, May 25, 2011
Lawsuit Against Huffington Post Founders OKd to Continue
Tuesday, May 24, 2011
A Chinatown Restaurant and My Personal Lower Manhattan
Monday, May 23, 2011
Gawker Gaffe Over Schwarzenegger Love Child
Sunday, May 22, 2011
Reflections on a Small Town's Diaspora
Saturday, May 21, 2011
More UK Women Travel to Denmark for Sperm
Friday, May 20, 2011
Hedge Fund Boss Spies On Her Own Management Team
Thursday, May 19, 2011
Amazon Tribe Lacks Abstract Notion of Time
Wednesday, May 18, 2011
Naked Music NYC
Tuesday, May 17, 2011
Harmon Killebrew RIP
Monday, May 16, 2011
Damn Yankees
Sunday, May 15, 2011
Frederic Chaubin's Photographs of 1980s Soviet Architecture
Saturday, May 14, 2011
PBR Moves to LA
Friday, May 13, 2011
Koch Donation to Florida State University Comes With Controversial Strings
Tuesday, May 10, 2011
Chester Himes Revisited
I’m reading a Chester Himes novel now. I’ve admired his lean, thoughtful writing style since I first read Cotton Comes to Harlem many years ago. His observations of the human condition, tempered by incarceration and his strong mind, ring as true today as they did a half-century ago. When I’m tired, his books wake me up. I find his novels display a zeal for life in all its dimensions. They also effectively communicate the earthy street and tenement life of New York, especially Harlem of the 1960s.
I know little of his life in France, and am quite curious about it.
If anyone wants to comment on Himes’ work, they’re welcome to do that here.
A Night in Orlando
I’m in the midst of my second trip to Orlando in the past six months. My trips here involve attending trade shows; the hotels where I stay are either inside a theme park or close to one. My issue is that I never know where to go at night. Sometimes, business schmoozing means my evening journey goes no further than the hotel bar. That makes a night in Orlando a simple, vanilla proposition. However, there are times when business conversations work out better in more imaginatively selected venues. Where are they in Orlando? Let’s say it’s a challenge for me to find them, as I have no expertise whatsoever regarding Orlando’s nightlife outside the hothouse world of the theme parks.
I realize I’m kvetching about something I basically enjoy. Nonetheless, I just don’t have a feeling, any touch, for Orlando after sunset. Maybe this trip will be different: we’ll see.
Sunday, May 8, 2011
George Clooney at 50
The LA Times entertainment blogger site noted that George Clooney recently threw himself a 50th birthday party at an area restaurant. The invited guests were supposedly sworn to secrecy for the run-up to the event and during the celebration itself. Of course, the idea of discretion in Hollywood is elusive to manage. The word did indeed get out, not that anyone east of the San Fernando Valley and west of the Hudson River greatly cared.
The birthday party, however, does provide an opportunity to consider Clooney’s career. He has managed to successfully navigate the small screen (ER) and the big screen, something of a rare event in the entertainment business. I have not watched his TV work; I have seen some of his motion pictures. His best role was the cynical, world-weary legal fixer Michael Clayton. His performances in the flawed, but interesting Syriana, the cautionary tale Good Night and Good Luck, and the curious O, Brother, Where Art Thou? deserved more credit than he received. His skillful touch in Up in the Air showed a willingness for self-effacement that one wishes Clooney would exhibit off-camera.
Clooney also has earned praise for his work illuminating the Western world to the ghastly Darfur conflict and the repellent neo-colonial mineral grab pursued by the world’s principal economic powers.
Yet, Clooney remains something of a pariah among his peers. Why? The words “difficult,” “arrogant,” “abrasive” are too frequently associated with him. Even in a business filled with equally “difficult” and “demanding” individuals,” Clooney stands out near the head of his class. That’s not a competition that’s desirable to win. The reputation has cost Clooney any realistic chance at winning major awards from his peers or from unforgiving movie critics.
In the end, non-insiders don’t care about any of Clooney’s personality flaws. We do care about his next projects, and can only hope he’s made better choices than The American.